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In this prime example of Fisher’s early rural pictures, a ferry delivers two wealthy women and their belongings ashore, as a herd of especially handsome cattle rests in …
Ukiyo-e artists’ subject matter extended to popular literature. Katsushika Ōi used color to great effect in her gruesome version of an episode from a 14th-century Chines…
This small winged altarpiece, called a triptych, was undoubtedly made for private use. The donor and his wife are shown in the lower central scene kneeling before the Vi…
Born in a small village in Belgium, Paelinck attended a local drawing academy as a youth. His skill earned him a scholarship to study in Paris where he worked with Jacqu…
A devout woman, shown at lower right, is presented by saints and an angel to the central Virgin and Child. In clockwise order from her is Saint Lucy, identified by the c…
![The Ninth Day Literary Gathering at Xing’an [Temporary Retreat]](/uploads/imported/images/9c3bbcabb934e45ce330d4a1.jpg)
By the 1700s, Yangzhou was flourishing both economically and culturally as the most prosperous city in China, having surpassed all other Jiangnan cities in their creatio…
Attracted to its dramatic vistas, volcanoes, exotic peasants, and classical ruins, landscape painters of the 1700s and 1800s flocked to the countryside around Naples. Th…
Brown's preference for rural subjects in a time when the United States was undergoing rapid industrialization suggests nostalgia for the past. Indeed, A Builder of Boats…
In this painting, the mountains and sky glow with a hidden warmth from undertones in red as birds descend into the trees around a scholar’s retreat. Yosa Buson is recogn…
After training in Rome in the 1630s and 1640s, Preti went to Naples where he continued working in a mode inspired by the work of Caravaggio. In this painting, dramatic l…
In the central pavilion, King Bhima, father of Princess Damayanti, receives favorable signs from his astrologers for her marriage to her beloved, Nala. In the upper left…
The colorful, exotic garments worn by the woman at the right demonstrate Jacob Duck’s skill in painting luxurious surfaces: she is Salome, daughter of Herodias. Accordin…
Although the subject of this portrait wears rich clothing and a sword, nothing specifically associates him with aristocracy. Instead he may have been a wealthy member of…
Chardin reflected intensely on the act of observation. Still life became a forum for sophisticated performances in paint, and his complex technique—he famously worked in…
During his later years, Pierre-Auguste Renoir moved away from pure Impressionism toward a classicizing style featuring strong, monumental figures of substantial weight a…
A devout Catholic, Maurice Denis sought to create what he described as “imperishable icons.” In this small painting, he used flat planes of intense colors to conjure emo…
Poem and painting, once mounted together as one fan, exemplify the collaboration between imperial patron and court painter. Emperor Lizong’s calligraphy cites a verse fr…
The sitter, who was born in 1820, posed for this portrait in 1834. She later became the wife of Count Raymond du Tillet. Fisa demonstrativa, nu obiect aflat in patrimoni…
This screen and its corresponding screen show Portuguese merchants arriving in Japan, having crossed the oceans in their large ship with a multinational crew. The Portug…
Although best remembered for his depictions of ballet dancers and race horses, Degas painted many likenesses of his family members. He probably painted this portrait of …
This small altarpiece, intended for a domestic interior or private chapel, consists of three panels, allowing it to be folded and easily transported. Surrounding the Vir…
This panel once formed part of an altarpiece painted for the Church of Saint Laurentius in Cologne. It originally comprised the reverse of the arrest of Christ, now in t…
Simon Vouet worked in Rome for several years before he was summoned back to France in 1627 to serve as court painter to King Louis XIII. This painting, executed soon aft…
The dragon and tiger are tied to the philosophical concept of yin and yang, which describes opposite but complementary forces. The dragon occupies a tiered background of…